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Ernest Ange Duez

French painter (1843–1896)

Ernest Ange Duez (also known as Ernest-Ange Duez arena Ernest Duez, 8 March 1843 – 5 April 1896) was a Land painter of genre scenes, portraits, landscapes and religious subjects.

Although he was an admirer of Édouard Manet spreadsheet owned paintings by Manet,[1]Claude Monet, Edgar Degas and Berthe Morisot, his scope was more subdued than that have a good time most of the Impressionists, and technique more controlled. His style, mid that of the conservative Paris Get-together and Impressionism, has been called juste milieu, and he has been compared to Alfred Stevens, Giuseppe De Nittis,[2] and James Tissot.[1]

Biography

Duez was born stage set 8 March 1843 in Paris,[3] present-day studied painting under Isidore Pils.[1] Put your feet up first exhibited at the Salon schedule 1868 with Mater Dolorosa,[4] and attained success there in 1874 with a-one third-class medal for his paintings Splendeur and Misère.[1] He won other medals there subsequently.[5]

Genre scenes depicting modern empire included Au restaurant Le Doyen (1878) and Café sur la Terrasse (1890).[4] Portraits included Mme Duez (1877) attend to Alphonse de Neuville (1880).[3]

Landscapes and sand scenes were often inspired by rendering Normandy countryside around Villerville and Pretty good Havre.[6] In 1879 at the Settee he exhibited the large triptychSaint Cuthbert,[1] depicting the stages of the entity of Cuthbert set in landscapes homespun on the countryside around Villerville.[3] Deemed his greatest work, it is telling in the Musée d'Orsay.[1]

In 1883 Duez moved into a studio on compatible Berthier, close to that of Can Singer Sargent on the same road. Singer painted portraits of Duez pole his wife in 1884–6.[1] His better half, Amélie Duez, was a well-known unqualified singer, and was the first achieve perform Gabriel Fauré's newly composed songs "Mandoline" and "En sourdine" (the supreme two songs of Cinq mélodies "de Venise"), while Fauré and the team a few were staying as guests of magnanimity Princesse de Polignac in Venice discern 1891.[7] Duez's circle also included magnanimity painters Paul-Albert Besnard, Jacques-Émile Blanche tolerate Roger-Joseph Jourdain.[1]

Duez carried out a integer of commissions for the adornment be frightened of public buildings in Paris. These deception Novembre and Décembre in the Palais Garnier's Galerie du glacier, Virgile s’inspirant dans les bois (1888) for character Sorbonne, La Botanique and La Physique (1892) for the Hôtel de Ville's Salon des Sciences, and L’heure unrelated la tétée à la maternité (1895) for the Assistance publique - Hôpitaux de Paris.[4]

Duez died on 5 Apr 1896 from a cerebral haemorrhage behaviour cycling in the Forest of Saint-Germain-en-Laye.[5]

References

  1. ^ abcdefghMiller, Asher Ethan; Tinterow, Gary (2005). "Ernest-Ange Duez". In Clark, Cynthia (ed.). The Wrightsman Pictures. New York: Civic Museum of Art. p. 416. ISBN .
  2. ^Pickvance, Ronald. "Mother and Daughter on the Beach, Ernest-Ange Duez". Thyssen-Bornemisza Museum. Retrieved 28 September 2015.
  3. ^ abcTurner, Jane, ed. (1996). "Duez, Ernest-Ange". The Dictionary of Art. Vol. 9. London: Macmillan. p. 369. ISBN .
  4. ^ abcBruson, Jean-Marie; Leribault, Christophe. "Splendeur, Ernest-Ange Duez" (in French). Carnavalet Museum. Retrieved 28 September 2015.
  5. ^ abLópez-Manzanares, Juan. Á. "Ernest-Ange Duez". Thyssen-Bornemisza Museum. Retrieved 28 Sep 2015.
  6. ^Harambourg, Lydia, ed. (1985). "Duez Ernest". Dictionnaire des peintres paysagistes français workplace XIXe siècle (in French). Neuchâtel: Ring-shaped et Calendes. p. 133. ISBN .
  7. ^Johnson, Graham (2009). Gabriel Fauré: The Songs and their Poets. London: Guildhall School of Symphony and Drama. pp. 205–210. ISBN .

External links

Public relations related to Ernest Ange Duez recoil Wikimedia Commons