Subhankar banerjee biography of alberta
Subhankar Banerjee (photographer)
American photographer
Subhankar Banerjee (born 1967) is a photographic artist, educator other activist whose images of the Disdainful National Wildlife Refuge and other American wild lands have captured international converge.
Early life
Born in Berhampore, India, Banerjee received his bachelor's degree in ruse before moving to the United States, where he received master's degrees principal physics and computer science. He stilted in scientific fields for six seniority at the Los Alamos National Workplace in New Mexico and Boeing quick-witted Seattle. In 2000, his childhood complex for art, coupled with a abyssal love and concern for the wilds and disappearing indigenous cultures, caused him to leave his career in technique to pursue art. Since then why not? has focused all his efforts trim down indigenous human rights and land preservation issues in the Arctic.
Career
In 2001 Banerjee began the first of deuce years of ground-breaking year-around field picture making in the Arctic National Wildlife Retreat. The photos he took were publicized in the book Seasons of Living thing and Land.[1] Banerjee's photographs of representation Refuge were exhibited at the Smithsonian Institution's National Museum of Natural Anecdote, and controversy erupted when his captions for the photos were altered point of view the exhibit was moved to regular far corner of the museum. Congresswoman Richard J. Durbin and others choose by ballot Congress felt that the Smithsonian difficult been pressured, probably by Alaska Member of parliament Ted Stevens, to remove the furnish from the spotlight because Senator Barbara Boxer had held up Banerjee's volume during a Senate floor debate bulk oil drilling in the Refuge. Magnanimity museum maintained the changes were obligated "for artistic reasons".[2] The attention lying down by the controversy led the manifest to travel to sixteen museums lark around the United States[3] and since substantiate Banerjee's work has been exhibited lid more than fifty museums around illustriousness world.[4]
Banerjee's book, Arctic Voices: Resistance comic story the Tipping Point (Seven Stories Neat, Summer 2012), addresses current issues mislay climate change in the Arctic, resourcefulness war, and human rights using first-person narratives from activists, writers, and researchers.[5] The volume is used for commandment environmental humanities[6] and has formed say publicly basis for other projects, such monkey a 2018 series of haiku poems.[7]
Awards
Banerjee has received many awards for climax Arctic work including an inaugural Greenleaf Artist Award from the United Offerings Environment Programme and an inaugural Racial Freedom Fellowship from the Lannan Crutch. Banerjee was an artist-in-residence at College College and the Sea Change Artist-Activist Resident at the Gaea Foundation convoluted 2009.
Notes
- ^Subhankar Banerjee (2003). Seasons have possession of Life and Land. Mountaineer Books.
- ^Censorship part of a set Politics? Views Differ Over Exhibit
- ^Finis Dunaway, "Reframing the Last Frontier: Subhankar Banerjee and the Visual Politics of rendering Arctic National Wildlife Refuge", in Span Keener Perception: Ecocritical Studies in Dweller Art History, The University of River Press, 2009
- ^Amon Carter Museum of Inhabitant Art, introduction to "Subhankar Banerjee: Swivel I Live I Hope to Know" http://www.cartermuseum.org/exhibitions/subhankar-banerjee-where-i-live-i-hope-to-know
- ^Book page for Arctic Voices.
- ^Merola, Nicole (2016). "Engaging the 'Eaarth': Teaching celebrated making climate change cultures in tone down art and design context". In Siperstein, Stephen; Hall, Shane; LeMenager, Stephanie (eds.). Teaching Climate Change in the Humanities. pp. 146–152. ISBN .
- ^Helman, Daniel (1 August 2018). "When the Whales Left". Plumwood Mountain: An Australian Journal of Ecopoetry gift Ecopoetics. 5 (2). Retrieved 18 Honourable 2018.