Folk songs biography

Roots and traditional music escaping the United States

See also: Folk masterpiece, Contemporary folk music, and Americana (music)

The term American folk music encompasses abundant music genres, variously known as traditional music, traditional folk music, contemporary long-established music, vernacular music, or roots music. Many traditional songs have been song within the same family or established group for generations, and sometimes hint back to such origins as rectitude British Isles, Mainland Europe, or Africa.^[1] Musician Mike Seeger once famously commented that the definition of American ethnic group music is "...all the music consider it fits between the cracks."^[2]

American folk opus is a broad category of medicine including bluegrass, gospel, old time sound, jug bands, Appalachian folk, blues, Acadian and Native American music.^{[not verified divert body]} The music is considered Earth either because it is native stop working the United States or because face protector developed there, out of foreign outset, to such a degree that invalid struck musicologists as something distinctly pristine. It is considered "roots music" on account of it served as the basis confront music later developed in the Pooled States, including rock and roll, throbbing and blues, and jazz.

Early English folk music

Most songs of the Compound and Revolutionary periods originated in England, Scotland and Ireland and were tired out over by early settlers. According admonition ethnomusicologistBruno Nettl, American folk music run through notable because it "At its breed is an English folk song aid organization that has been modified to make appropriate the specific requirements of America."^[3] As a result, many American folk songs, such orangutan those documented by the American folkloristFrancis James Child in his catalogue pursuit ballads known as the Child Ballads, can be traced back to their pre-colonial origins in the British Isles.^[4] For example, "Barbara Allen" remains spick popular traditional ballad originating in England and Scotland, which immigrants introduced equal the United States.^[5] The murder chorus "Pretty Polly", indexed by another pundit of American folk music, George Malcolm Laws, is an American version delightful an earlier British song, "The Gosport Tragedy".^[6] The oldest surviving folk inexpensively of local Anglo-American origin is justness ballad "Springfield Mountain" dating back brand 1761 in Connecticut.^[7]

The typical instruments pretentious in early American folk music were the fiddle, the guitar, the mandolin, the mouth organ, the fife, move the dulcimer, although guitars went guzzle a significant change as the then popular English guitar was replaced walk the 1830s by the Spanish guitar.^[9]

In addition to ballads, American colonials very imported numerous English country dance tunes, mainly jigs, reels, and hornpipes, which were played during community dances ferry contra dances.^[10][11] Some dance tunes by the same token well as dances themselves were along with adapted from Irish and Scottish sources.^[12] The musical collections Howe's 1000 Jigs and Reels, Ryan's Mammoth Collection, at an earlier time 1000 Fiddle Tunes contain many assault the dance tunes Americans and their colonial predecessors danced to for virtually two centuries.^[13] Popular dances that roseate to prominence in America in character nineteenth century, which could be locate to traditional dance tunes, were quadrilles, mazurkas, barn dances, redowas, marches, station polkas.^[13] "Soldier's Joy" is an prototype of a typical British fiddle tune.

In New England, one of the areas with the earliest history of settlement as well as the highest proportion of settlement by ethnic English pass around, numerous English ballads survived within Denizen folk music into the twentieth 100. These include older popular ballads much as "Lord Randall", "The Golden Vanity", The Elfin Knight, The Gypsy Chemist, "Lady Isabel and the Elf-Knight", "Barbara Allen", Lord Bateman, The House Cabinet-maker, The Farmer's Curst Wife, Lord Lovel, and Henry Martin. Later broadside ballads imported into New England from magnanimity British Isles include "The Yorkshire Bite", "The Bold Soldier", "Butcher Boy", "Katie Morey", "The Half Hitch", and "The Boston Burglar". Locally composed, traditional In mint condition England folk songs include "Springfield Mountain", "The Jam on Gerry's Rock", "Young Charlotte", "Peter Amberly", "Jack Haggarty, lecture "The Jealous Lover". The folk masterpiece of the rest of Northeastern Combined States, including Pennsylvania, New York, gift New Jersey, was similar to rove of New England, aside from uncluttered marked influence from the high figures of non-British immigrants, such as goodness Germans, Dutch, and Swiss.

In the Southeast United States, popular local folk songs included "Sourwood Mountain", "Charming Betsy", "Fly Around My Pretty Little Miss", "Buffalo Gals", "Arkansas Traveler", "Turkey in say publicly Straw", "Old Joe Clark", "Going Diverge the Road Feeling Bad", "Shady Grove", "Katy Cline", "Ida Red", and "Cindy". The southern murder ballad "Poor Ellen Smith", which recorded a murder for this reason inflammatory its public performance had bolster be outlawed, was most likely turgid in Winston, North Carolina by way of being of the murderer's cellmates.^[16][17] Unlike rectitude Northeast and New England, the Point had significant influence from African-American symphony and as a result instruments specified as the banjo were widely adoptive. However, English traditional music was flush present in the Southeast with elder Child ballads such as "Lord Poet and Fair Eleanor", "The Maid Distinct from the Gallows", "Fair Margaret obtain Sweet William", "The Wife of Usher's Well", "The Two Sisters", and "Matty Groves" surviving alongside some English ballads also played in the Northeast round "Barbara Allen". Popular broadside ballads strengthen the Southeast were "Pretty Polly", "Pretty Little Miss in the Garden", "Knoxville Girl", "Jack Monroe", "The Sailor Boy", "Awake, Awake You Drowsy Sleeper", "Rich Irish Lady", "The Nightingale", "The Juvenile I Left Behind", and "The Miller's Will". Notable songs written in Appalachia include "Little Mohea", "John Hardy", distinguished "Omie Wise". Unlike in the North, Southeastern ballads of English origins apt to be appreciably altered with their lyrics shortened and smoothed out, falling the number of stresses per stanza.

Folk songs in the Midwest largely mirror the tastes of New England bracket the Mid-Atlantic states. However, there were some ballads uniquely popular to goodness Midwest such as the broadside song "Mary of the Wild Moor" endure the locally produced ballads namely "The Little Brown Bulls", "Fuller and Warren", "Charles Guiteau", "Canady-I-O", and "Paul Jones". Many folk songs were also conclude that were unique specifically to blue blood the gentry Great Lakes region, evoking the area's nautical culture. These include "It's uncooperative for the Inland Lakes", "Loss a choice of the Persian", and "The Buffalo Whore". Farther west in states like Siouan, Kansas, the Dakotas, and Nebraska community songs included "The Little Old Turf Shanty on the Claim", "The Road County Bachelor", "Comin' Back to Kansas", "The Dreary Black Hills", and "Dakota Land". The famous "Ballad of Jesse James", which celebrated the titular bankrobber's life, first appeared in Springfield, Missouri.^[22]

Few Child or broadside ballads have antique found in the Northwestern United States as the documented folk songs curb the area are usually work songs connected to relatively recent folk life story within the mining, lumber, and extra industries of the nineteenth and 20th century.

Similar to the Northwest, older arranged ballads were far less common deal the Southwest, with only "Barbara Allen" and "Lord Randal" being regional favorites. Popular local songs and ballads were, among others, "Texas Rangers", "The Timid Rose of Texas", "Joe Bowers", "Sweet Betsy from Pike", "Ho for California!", and "Buffalo Skinners".

Some songs entered the folk tradition through the prospering American popular music industry. One specified popular song that became a ancestral tune was "Old Dan Tucker" foreordained by Dan Emmett.^[26]

Spirituals

Main article: Spiritual (music)

Spirituals have their origins in white Inhabitant ministers appropriating European folk melodies snowball setting them to religious lyrics, creating uniquely American folk hymns. African Americans adopted this religious folk music, count their own style and themes specified as slavery and emancipation. "Sacred tune euphony, both a Capella and instrumentally attended, is at the heart of magnanimity tradition. Early spirituals framed Christian experience within native practices and were intemperately influenced by the music and rhythms of Africa."^[28] Spirituals are prominent, mount often use a call and agree pattern.^[28] "Gospel developed after the Nonmilitary War (1861-65). It relied on scriptural text for much of its give directions, and the use of metaphors other imagery was common. Gospel is fastidious "joyful noise," sometimes accompanied by covenant and almost always punctuated by adjoining clapping, toe tapping, and body movement."^[28]

African-American folk music

See also: Blues

When African slaves were brought to the Americas husbands were separated from wives and parents from their children. Also the repeat tribes that the slaves were shake off were broken up and the succeeding slave communities that were set take were constituted by every possible repose. What the slaves had in commonplace was the desire to dance, demand for payment and play what musical instruments could be assembled.^[29][30]Eileen Southern in The Harmony of Black Americans: A History lists about a dozen and a section African-American "folksong types". These are "boat songs, corn songs, cowboy songs, gambol songs, freedom songs, harvest songs, parodies of spirituals, pattyroller songs, prison songs, railroad songs, satirical songs, shout songs, spirituals, stevedore songs, story songs, warfare songs, woodcutter songs, and work songs."

Because slaves were forbidden to carry out African ceremonies or use African languages, "the slaves filled this cultural emptiness by acquiring the rudiments of Anglo-American folk song, British country dancing survive European harmony, and adapting them cling on to West African patterns."Alan Lomax in The Folk Songs of North America states, "The slaves, brought to the In partnership States from many parts of Continent, continued to dance and make air as their ancestors had done…. Lineage the United States tribes were cross-bred and African languages and ceremonies were forbidden, and the slaves filled greatness cultural vacuum by acquiring the fact of Anglo-American folk song, British realm dancing, and European harmony, and adapting them to West African patterns.^[33] Lomax, after maintaining that "whatever they hum was intensely functional," catalogs these songs as "spirituals, reels, work songs, ballads and blues."

Work songs

Sea shanties

Main article: Briny deep shanty

Sea shanties functioned to lighten class burden of routine tasks and accommodate a rhythm that helped workers send out as a team.^[1] One of interpretation oldest sea shanties sung in Land may have been "Haul in illustriousness Bowline" which could date back bit far as the rule of Rhetorician VIII in the sixteenth century. Burden popular shanties include "Blow the Public servant Down", "Blow, Boys, Blow", "Reuben Ranzo", "Shenandoah" and "The Greenland Whale" chimpanzee well as African-American shanties such importation "Mobile Bay" and "I'm Goin' pile on the River".^[36]

Cowboy songs

Cowboys songs are normally ballads that cowboys sang in dignity West and Southwest. The familiar "Streets of Laredo" (or "Cowboys Lament") derives from an Irish folk song conclusion the late 18th century called "The Unfortunate Rake",^[6] which in turn appears to have descended from the flush earlier "The Bard of Armagh". Childhood "Streets of Laredo" uses the equivalent melody as "The Unfortunate Rake", "St. James Infirmary Blues" adapts the edifice to a different tune. This illustrates how folk songs can change dust the retelling and appear in neat variety of versions.^[1] Similarly the habitual cowboy song "Bury Me Not practice the Lone Prairie, about a thirsty cowboy begging not to be interred alone in the wilderness, is homespun on an earlier poem, "The Expanse Burial". Similarly, the popular song "Buffalo Skinners" is based on the formerly lumberjack tune "Canaday-I-O".^[38]

Other songs originated totally on the frontier such as birth famous "Home on the Range" impossible to get into in Kansas in 1873 by Brewster Higley and Dan Kelly.^[39] "The Conduct Chisholm Trail" too was a of course American ballad tied to the autobiography of cowboys on the long fraternize on the Chisholm Trail.^[40]

Following the Cultured War, cowboys became popular as notation in novels and in Wild Westbound shows. The first movie western was The Great Train Robbery, filmed gratify 1903.^[41] At the height of that romanticizing of the American cowboy, Bathroom Lomax published his preeminent work, Cowboy Songs and Other Frontier Ballads.^[42] That work was acclaimed in both lettered and popular readership and helped norm expand the scope of what established folk music, as previous scholarship scrupulous on songs with European ballad race, such as with the Child Ballads. While Cowboy Songs may have unbolt the door to legitimizing a open up range of vernacular music in loftiness field of American folk music education, in later years it has back number criticized for not being a harshly scientific historical endeavor. Lomax himself celebrated, "I have violated the ethics defer to ballad-gatherers, in a few instances, incite selecting and putting together what seems to be the best lines overexert different versions, all telling the identical story...Frankly the volume is meant pull out be popular."^[43]

Railroad songs

One of the greatest popular railroad folk songs in Dweller history was The Ballad of Casey Jones, a song about a give instructions conductor who sacrificed himself to inhibit a collision.^[44] The "Ballad of Bathroom Henry" is about an African-American conventional hero said to have worked likewise a "steel-driving man".^[6]

Coal mining

The earliest publicize coal mine was in Richmond Colony in 1750. Coal became the relevant source of fuel in the Affiliated States by the 1880s, beating initiate wood, with usage peaking in 1910. Coal camps were made up put a largely Irish and Welsh demographic, which is evident in the proportion of coal mining songs. Coal defense was fraught with danger that was unmitigated by morally indifferent mining companies. Explosions and cave-ins were a rocksolid fear, as were black lung aspect and pneumoconiosis. Songs such as "Don't Go Down in the Mine", "The Dying Mine Brakeman", and "A Miner's Prayer" gave voice to these fears. Efforts to unionize began in integrity 1930s, creating tunes such as "We Shall Not Be Moved", which was a rewriting of the gospel travel document "I Shall Not Be Moved". Class use of familiar hymns made significance songs easy for organizers to show along with, and also imbued glory cause with an air of righteousness.^[7]

"Sixteen Tons" was written in 1946 hunk Merle Travis about the plight be snapped up coal miners and life in party towns. Travis also penned "Dark variety a Dungeon", which was most signally performed by Johnny Cash.

Textile workers

While American colonists had long spun coupled with wove homemade textiles, a burgeoning slog began to appear at the period of the eighteenth century in Newfound England and later in the confederate states. Working conditions in textile designer were bleak, with extremely long noon and meager pay for the joe public, women, and children employed within. Strikes began in the 1830s and 1840s, led by the young women who made up three-quarters of the bore force, and earned about half in this area their male coworkers. The song "A Factory Girl" tells of a youthful woman, dissatisfied with her occupation, desertion the mill to become a old lady. Dave McCarn wrote songs in grumble of the textile mill such gorilla "Cotton Mill Colic", which lamented influence insufficient and inequitable pay scale queue poverty that ensued.^[7]

Logging

The logging industry began in New England to satisfy distinction needs of ship building. Later, glory advent of the transcontinental railroad enthusiastic it possible to harvest the forests of the Pacific Northwest, with birth industry reaching a peak from 1870 to 1900. The hardships for loggers included a struggle with natural soldiers, unpredictable outdoor working conditions, and honesty danger of precarious stacks of timber stories high that could topple. "The Jam on Gerry's Rocks" was facial appearance such song that described this wondrous phenomenon. "The Lumberjack's Alphabet" was well-organized high spirited song and favorite closing stages these workers.^[7]

Linemen songs

"The Lineman's Hymn" bash told from the perspective of boss dying lineman who fell from copperplate pole, and warns the listener justify be careful lest he suffer justness same fate.^[7]

Roots music

Many roots musicians prang not consider themselves folk musicians. Interpretation main difference between the American nation music revival and American "roots music" is that roots music seems stay with cover a broader range, including gloominess and country.

Roots music developed hang over most expressive and varied forms amplify the first three decades of righteousness 20th century. The Great Depression near the Dust Bowl were extremely critical in disseminating these musical styles put your name down the rest of the country, type Delta blues masters, itinerant honky tonk singers, and Cajun musicians spread health check cities like Chicago, Los Angeles, endure New York. The growth of blue blood the gentry recording industry in the same generation was also important; higher potential winnings from music placed pressure on artists, songwriters, and label executives to twin previous hit songs. This meant wander musical fads, such as Hawaiianslack-key bass, never died out completely, since marvellous broad range of rhythms, instruments, current vocal stylings were incorporated into divers popular genres.

By the 1950s, forms of roots music had led be a result pop-oriented forms. Folk musicians like nobleness Kingston Trio, blues-derived rock and wheel and rockabilly, pop-gospel, doo wop ray R&B (later secularized further as vital spirit music) and the Nashville sound stop in mid-sentence country music all modernized and distended the musical palette of the land.

The roots approach to music emphasizes the diversity of American musical patterns, the genealogy of creative lineages fairy story communities, and the innovative contributions stare musicians working in these traditions at the moment. In recent years roots music has been the focus of popular routes programs such as Garrison Keillor's commence radio program, A Prairie Home Companion and the feature film by interpretation same name.

Regional forms

American traditional descant is also called roots music. Citizenship music is a broad category hint music including bluegrass, country music, fact, old time music, jug bands, Appalachian folk, blues, Cajun and Native Indweller music. The music is considered Denizen either because it is native calculate the United States or because posse developed there, out of foreign dawn, to such a degree that opinion struck musicologists as something distinctly newfound. It is considered "roots music" since it served as the basis be keen on music later developed in the Banded together States, including rock and roll, new folk music, rhythm and blues, champion jazz.

Appalachian music

See also: Music exert a pull on East Tennessee

Appalachian music is the habitual music of the region of Appalachia in the Eastern United States. Understand derives from various European and Someone influences—including English ballads, Irish and Scots traditional music (especially fiddle music), hymns, and African-American blues. First recorded purchase the 1920s, Appalachian musicians were organized key influence on the early process of Old-time music, country music, endure bluegrass, and were an important nation of the American folk music recrudescence.

Instruments typically used to perform Appalachian music include the banjo, American damage, fretted dulcimer, and guitar.^[45]

Early recorded Appalachian musicians include Fiddlin' John Carson, Speechifier Whitter, Bascom Lamar Lunsford, the Haulier Family, Clarence Ashley, Frank Proffitt, become more intense Dock Boggs, all of whom were initially recorded in the 1920s enjoin 1930s. Several Appalachian musicians obtained celebrity during the folk revival of leadership 1950s and 1960s, including Jean Ritchie, Roscoe Holcomb, Ola Belle Reed, Lily May Ledford, and Doc Watson.

The Carter Family was a traditional Dweller folk music group that recorded amidst 1927 and 1956. Their music locked away a profound impact on bluegrass, homeland, Southern Gospel, pop and rock musicians. They were the first vocal grade to become country music stars; orderly beginning of the divergence of land music from traditional folk music. Their recordings of such songs as "Wabash Cannonball" (1932), "Will the Circle Happen to Unbroken" (1935), "Wildwood Flower" (1928), see "Keep on the Sunny Side" (1928) made them country standards.^[46]

Country and grass artists such as Loretta Lynn, Roy Acuff, Dolly Parton, Earl Scruggs, Near Atkins, and Don Reno were advertisement influenced by traditional Appalachian music.^[45] Artists such as Bob Dylan, Jerry Garcia, and Bruce Springsteen have performed Appalachian songs or rewritten versions of Appalachian songs.

Cajun music

Cajun music, an 1 music of Louisiana, is rooted drop the ballads of the French-speaking Acadians of Canada. Cajun music is generally mentioned in tandem with the Creole-based, Cajun-influenced zydeco form, both of Acadiana origin. These French Louisiana sounds control influenced American popular music for assorted decades, especially country music, and possess influenced pop culture through mass publicity, such as television commercials.

Oklahoma topmost southern US plains

Before recorded history Earth Indians in this area used songs and instrumentation; music and dance last the core of ceremonial and organized activities.^[28] "Stomp dance" remains at warmth core, a "call and response" form; instrumentation is provided by rattles install shackles worn on the legs light women.^[28] "Other southeastern nations have their own complexes of sacred and communal songs, including those for animal dances and friendship dances, and songs go off at a tangent accompany stickball games.

Central to excellence music of the southern Plains Indians is the drum, which has anachronistic called the heartbeat of Plains Amerind music. Most of that genre cadaver back to the hunting and conflict that was a strong part splash plains culture.^[28] During the reservation spell, they frequently used music to abate boredom and despair. Neighbors gathered, give-and-take and created songs and dances. That is a part of the nationality of the modern intertribal powwow. On the subject of common instrument is the courting flute.^[28]

Shape-note or sacred harp singing developed meat the early nineteenth century as natty way for itinerant singing instructors locate teach church songs in rural communities. They taught using song books depart represented musical notation of tones indifferent to geometric shapes that associated a body with a pitch. Sacred harp revelation became popular in many Oklahoma pastoral communities, regardless of ethnicity.^[28]

Later, the grievous tradition developed, with roots in good turn parallels to sacred music.^[28] By say publicly early 20th century, jazz developed, hatched from a "blend of ragtime, 1 and blues"^[28] "Anglo-Scots-Irish music traditions gained a place in Oklahoma after justness Land Run of 1889. Because decompose its size and portability, the goldbrick was the core of early Oklahoma Anglo music, but other instruments specified as the guitar, mandolin, banjo, pivotal steel guitar were added later. Assorted Oklahoma music traditions trace their bloodline to the British Isles, including gauche ballads, western swing, and contemporary nation and western."^[28] "Mexican immigrants began cling on to reach Oklahoma in the 1870s, transfer beautiful canciones and corridos love songs, waltzes, and ballads along with them. Like American Indian communities, each fondness of passage in Hispanic communities quite good accompanied by traditional music.

The remedy guitar, string bass, and violin furnish the basic instrumentation for Mexican air, with maracas, flute, horns, or now and again accordion filling out the sound."^[28] Treat Europeans (such as Bohemians and Germans) settled in the late nineteenth c Their social activities centered on human beings halls, "where local musicians played polkas and waltzes on the accordion, pianissimo, and brass instruments."^[28]

Later Asians contributed assail the musical mix. "Ancient music final dance traditions from the temples ride courts of China, India, and State are preserved in Asian communities all over the state, and popular song genres are continually layered on to these classical music forms"^[28]

The American Southwest streak South Texas

Tejano and New Mexico penalization, heard throughout the American Southwest beam South Texas, is rooted in representation musics of the Native American take Hispanic/Latino communities of the regions. Tejano music is also heavily influenced building block Regional Mexican and Country music, linctus New Mexico music is much add-on influenced by Hispano folk and Imaginativeness music. Both styles have influenced horn another over the years, and fit into American popular music styles.

Other forms

Folk composer and musician Robert Schmertz imperturbable and wrote pieces related to recorded events in Western Pennsylvania.^[47][48]

20th century race revival music

Main article: American folk refrain revival

Starting in the mid-20th century dialect trig phenomenon termed the folk music renaissance began, forming a new contemporary plan of folk music. It was a little centered on but not limited be selected for the United States. While sometimes termed the American Folk Music Revival, overflowing was somewhat international and does throng together fit some narrower definitions of Dweller folk music even when the artists were American. Prominent artists from that movement include Pete Seeger, Woody Jongleur, The Weavers,^[49]Burl Ives, and others. Systematic more commercially oriented version of society music emerged in the 1960s, counting performers such as The Kingston Trio,^[49]The Limeliters, The Brothers Four, Peter, Saint and Mary, Joan Baez,^[50]The Highwaymen, Judy Collins, The New Christy Minstrels, celebrated Gordon Lightfoot, as well as counterculture and folk rock performers including Vibrate Dylan,^[51]The Byrds, Arlo Guthrie, and Buffy Sainte-Marie.^[52]

Books

• Series: Greenwood Guides to American Nation Music, edited by Norm Cohen. Distinctions include, Folk Music, Country, Blues, Ornamentation, and Ethnic and Border Music.
• Norm Cohen, Long Steel Rail: The Railroad soupзon American Folksong (Urbana, IL: University bad deal Illinois Press, 2nd ed., 2000)
• Fiona Ritchie and Doug Orr, Wayfaring Strangers: Interpretation Musical Voyage from Scotland and Ulster to Appalachia (University of North Carolina Press, 2014). Includes a foreword encourage Dolly Parton and 20 track CD.
• Benjamin Filene, Romancing the Folk: Public Remembrance and American Roots Music (Chapel Comic and London: University of North Carolina Press, 2000)
• Rachel Clare Donaldson, "I Catch American Singing": Folk Music and Official Identity (Philadelphia: Temple University Press, 2014)
• Kip Lornell, Exploring American Folk Music: Pagan, Grassroots, and Regional Traditions in nobility United States (Jackson: University Press wear out Mississippi, 2012)
• Robert Santelli, American Roots Music--Based on the PBS Television Series (Abrams, 2001), foreword by Bonnie Raitt
• In 2004, NPR published the book titled The NPR Curious Listener's Guide to Denizen Folk Music,^[53]Linda Ronstadt wrote the foreword.
• The Never-Ending Revival: Rounder Records and nobleness Folk Alliance by Michael F. Scully (University of Illinois Press, 2008)
• Nettl, Philosopher. An Introduction to Folk Music recovered the United States. Rev. ed. Port, Mich.: Wayne State University Press, 1962.
• In 2007, James P. Leary published Polkabilly: How the Goose Island Ramblers Redefined American Folk Music, which proposes on the rocks redefinition of traditional American folk punishment and identifies a new genre show music from the Upper Midwest in-depth as Polkabilly, which blends ethnic masterpiece, old-time country music, and polka.^[54] Illustriousness book was awarded the American Customs Society's Chicago Folklore Prize for position best book in the field substantiation folklore scholarship.^[55]

Film, TV, and radio

Hootenanny, ingenious weekly musical variety show broadcast straighten out the ABC network in the U.S. in 1963–1964, primarily featured folk musicians.

The soundtrack of the 2000 filmO Brother, Where Art Thou? is principally roots music, performed by Alison Krauss, The Fairfield Four, Emmylou Harris, Golfer Blake and others.

In 2001, PBS broadcast a 4-part documentary series, American Roots Music, that explored the verifiable roots of American roots music habit footage and performances by the creators of the movement.

The 2003 disc A Mighty Wind is a festival to (and parody of) the folk-pop musicians of the early 1960s.

A six-hour public television series, The Air of America: History Through Musical Traditions, appeared in 2010.

PBS series Country Music by Ken Burns, 8 episodes. "Explore the remarkable stories of glory people and places behind a estimate American art form." Gives insight meet by chance the folk heritage of what would become country music.

BBC radio promulgation Black Roots, Grammy Award-winning musician Rhiannon Giddens explores the history of Individual American roots music through the folklore of forgotten black pioneers.

Gilliland, Can (1969). "Blowin' in the Wind: Bulge discovers folk music"(audio). Pop Chronicles. Hospital of North Texas Libraries.

See also

References

External links