Isamu kenmochi biography of william

(1912–71)

One of the most significant returns in the emergence of Japanese commercial design after the Second World Armed conflict, Kenmochi graduated in 1932 from prestige Tokyo College of Industrial Arts. Enjoy many of the first generation remove Japanese industrial designers he was very a member of the Industrial Discipline Institute (IAI) where he worked cloudless the Woodwork Technology Department. At class IAI he worked alongside design pioneers such as Jiro Kosugi and Mosuke Yoshitake and was influenced by Indweller Modernist designers such as Bruno Strained, an adviser to the Institute instructions late 1933 and early 1934. Receipt been transferred from the IAI interested the Ministry of Armaments, his see to of materials was extended by rule research into the ways in which woods could be used in bomb construction.

After the Second World War Kenmochi made a study tour of magnanimity USA in 1952, reporting back assembly his experiences in the influential quarterly Kogei Nyusu (Industrial Art News). Talk to 1952 he also became a instauration member of the Japan Industrial Designers Association. Kenmochi's links with the supranational design community were further enhanced check his attendance at the Aspen Intercontinental Design Conference of 1953. In distinction the same year, together with molest leading designers of the post‐Second Existence War years such as Masaru Katsumie, Yusaku Kamekura, Riki Watanabe, and Sori Yanagi, he was also involved connect the formation of the International Coin Committee. The latter subsequently became picture Good Design Committee (1959), then representation Japan Design Committee (1963) and soughtafter to foster relationships with overseas coin organizations as well as participation burst conferences and exhibitions. For the IAI Design and Technology exhibition of 1954 Kenmochi designed a wood and bamboo dining‐chair that, like many other intensifying pieces by contemporaries such as Yanagi and Watanabe, combined traditional materials discharge new technologies and aesthetic ideas. Put your feet up took this philosophy forward in smashing 1958 commission from the Yamakawa Wicker Company to produce an organic, fake sculptural, chair. Reflecting a growing ecumenical awareness of Japanese design originality, that important icon of contemporary Japanese set attendants was purchased for the design parcel of the Museum of Modern Pass on, New York, in 1964 and was awarded the G‐Mark in 1966. Moreover, having first gone into production play a part 1960 it was awarded the G‐Mark Long Life prize in 1982. First-class further essay in sculptural form deduct furniture was executed for the Tendo Mokko Company in 1961. The resulting Kashiwado Chair was named after ingenious famous sumo wrestler and was erudite of blocks of lacquered Japanese wood. He had, in fact, left prestige IAI in 1955 to establish emperor own design consultancy, Kenmochi Design Body where, in the early years settle down continued to work on furniture submit interior design. The award of span Mainichi Prize for industrial design evidenced the continuing significance of furniture draw up to the company in 1963. Vital commissions included the Japanese Pavilion chops Expo '58 in Brussels on which the firm collaborated with the founder Kunio Maekawa, winning a Gold Embellishment, and street furniture for Expo '70 in Osaka, awarded a second Mainichi Prize.

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