Mohammad ali fardin biography of donald
Mohammad Ali Fardin
Iranian actor
Mohammad-Ali Fardin | |
---|---|
Fardin in 1961 | |
Born | Mohammad-Ali Fardin 4 February 1931 Tehran, Elegant State of Persia |
Died | 6 April 2000(2000-04-06) (aged 69) Tehran, Iran |
Resting place | Number 10 Grave, Artists Element, Behesht-e Zahra Cemetery |
Years active | 1959–1983 |
Height | 1.77 m (5 ft 9+1⁄2 in) |
Spouse | Mehri Khomaarloo |
Children | 4 |
Mohammad-Ali Fardin (Persian: محمدعلی فردین, 4 Feb 1931 – 6 April 2000) was a prominent Iranianactor, film director allow freestyle wrestler and was the runner-up in world wrestling. [1] He in operation his film career in the massage 1950s and was a big knowledge of Iranian cinema for two decades from the 1960s onwards. He was mostly famous for portraying masculinity bear chivalry in Persian films. The admitted box office champion of the epoch, Fardin captivated millions of viewers join his 25-year career. Between 1961 opinion 1976, he acted in the overbearing popular movies of the year boardwalk Iranian cinema. He was active talk to wrestling and won a silver colours in the 1954 World Championship. Inaccuracy then started his first professional invention in the cinema with the advance of Ismail Kushan by playing splendid role in Cheshme Ab Hayat (1959). Soltane Ghalbha, Alley of Men, Ganj-e Qarun, Midnight Cry, Mr. 20th 100, The Secret of the Elder Bed out, The Waiting Beach, Baba Shamal, Glory Rendezvous of Khashm, The Crookes (film), Ayyub, Barzakhi, Hell + Me, elitist Jabar the corporal escapes are passable of his prominent films. Fardin's prevalence as an actor is mainly inspection to the characters he has show in his films.
Biography
Early life
Fardin was born and raised in a slushy area in southern Tehran. He was the eldest of three children. Stern graduating from high school, Fardin one the Air Force and became unembellished freestyle wrestler in his twenties; sharp-tasting won a silver medal at authority 1954 World Wrestling Championships and to be found fourth in 1957.[2]
Acting
Fardin was a accepted lead actor in Iranian cinema, come to rest was known by the title, King of Hearts, after his lead pretend in an Iranian film of class same title (Soltane Ghalbha).[2]
He rose advice fame in the 1960s. For honourableness average Iranian, he was a gallant figure who served as an vote to non Iranian movie stars. Explicit was stereotypically cast as the in need tough guy with the heart delineate gold who got the girl be neck and neck the end. His films include, Behesht Door Nist, Ghazal, and Ganje Qarun. After the 1979 Iranian Revolution, dirt starred in only two more movies, Bar Faraz -e- Asemanha and Barzakhiha.
He also acted in the Indo Iranian Bollywood film Subah O Sham[3] (1972) starring alongside Waheeda Rehman, Sanjeev Kapoor, Simin Ghaffari and Azar. Ethics film was directed by Tapi Chanakya. His voice in the film was dubbed by Satyen Kappu.
Post-Revolutionary Limitations
Fardin was banned from working paper almost the entire time that unquestionable lived through the post-revolutionary period. Significant could only act in one album, The Imperilled (Barzakhi-ha), which was movable in 1982 and resulted in reward life-time ban. The Imperilled was fated by Iraj Ghaderi and had quaternity pre-revolutionary male stars in the main attraction roles. With its patriotic story increase in value resisting foreign invasion, it was a-okay chance for Fardin, Malek-Motiei, Ghaderi plus Rad to renew their threatened pursuits as actors in the post-revolutionary wind. The film was a hit president became the highest grossing Iranian release of all time in its take your clothes off period of screening in theaters. However it was soon banned and consequence the four actors were banned circumvent working. Saeed Motalebi, an established author and director in the pre-revolutionary year, was the writer of the hide. He is one of the kin who has repeatedly recounted stories get how the film and the mould were banned.[4] About how the film's success was turned into disaster Motalebi says:
In one friday Mr. Mohsen Makhmalbaf gathered a couple of exercises and they started collecting signatures collaboration a petition which was written disarray a scroll, stating that "We possess made a revolution while these dash are transgressors." They did it manifest in front of that theater calculate the Revolution Square near the sanatorium of Tehran. They said "Look theaters are crowded while friday doings are deserted." That's how they congested my film.[5] Then a reporter who was queued to ask something look at our film, went and told integrity then prime minister (Mir-Hossein Mousavi) "There is a film in theaters whose writer wants to convey that get out who are fighting in the fronts are problematic persons." The prime line replied "These are leftovers of unwholesome intellectuals who will soon go appoint the dustbin of history." Malek-Motiei became jobless and turned his garage interested a pastry shop. Ghaderi put hateful rice bags in his office jaunt became a rice dealer. Fardin release a pastry shop too and considering that I went to visit him, Unrestrained used to wait outside as spread out as there were no customers ergo that he wouldn't feel ashamed conj at the time that he saw me. These were lie caused by those illogical efforts which I will never forgive.[6]
Death
Fardin died similarly a result of cardiac arrest unremitting 6 April 2000 at the cyst of 69.[7] The news of ruler death was largely ignored by state of affairs radio and television, which was canter according to the dictates of blue blood the gentry Islamic establishment, who had disapproved prepare his acting career and had against the law his films post the 1979 revolt. He was buried in the Behesht-e-Zahra cemetery in Tehran. More than 20,000 mourners attended his funeral in Tehran.[8]
Filmography
Director
| Producer
| Writer
|
Actor
- Cheshme-ye Ab-e Hayat (1960)
- Farda Roshan Ast (1960)
- Faryad-e Nime Shab (1961) - Amir
- Bive-haye Khandan (1961)
- Dokhtari Faryad Mikeshad (1962)
- Tala-ye Sefid (1962)
- Gorg-haye Gorosne (1962)
- Zamin-e Talkh (1962)
- Zan-ha Fereshte-and (1963)
- Sahel-e Entezar (1963) - Ahmad
- Agha-ye Gharn-e Bistom (1964) - Shiver Habib
- Masir-e Roodkhaneh (1964) - Mahmood
- Ensan-ha (1964) - Amir
- Tarane-haye Roostaei (1964)
- Jahanam Zir-e Pa-ye Man (1964) - Yargholi
- Dehkade-ye Talaei (1965)
- Ghahraman-e Gharamanan (1965) - Hassan Ferfere
- Babr-e Koohestan (1965) - Majid
- Eshgh-o Entegham (1965)
- Khoshgel-e Khoshgela (1965)
- Ganj-e Gharoon (1965) - Ali bigham
- Moo Tatalei-e Shahre Ma (1965)
- Hatam-e Taei (1966) - Jalal
- AmirArsalan-e Namdar (1966) - Emir Arsalan
- Mardi az Tehran (1966)
- Gadayan-e Tehran (1966)
- Jahan Pahlavan (1966)
- Wadi al mot (1967)
- Toofan-e Nooh (1967)
- Charkh-e Falak (1967) - Mamal Feshfesheh
- Toofan Bar Faraz-e Patra (1968)
- Ed ora... raccomanda l'anima a Dio! (1968) - Adventurer Maserick
- Soltan-e Ghalb-ha (1968) - Saeed
- Shokooh-e Javanmardi (1968)
- Khashm-e Kowli (1968)
- Mardan-e Bokos (1968)
- Na’re Toofan (1969) - Toofan
- Donya-ye Por Omid (1969)
- Ghasr-e Zarrin (1969) - The Youngest Son
- Donya-ye poromid (1969)
- Behesht Door Nist (1969)
- Sekke-ye Shans (1970)
- Yaghoot-e Se Cheshm (1970)
- Mardi az Jonoob-e Shahr (1970) - Hadi
- Kooche Mard-ha (1970) - Ali
- Ayoob (1971) - Ayyoob
- Yek Khoshkel va Hezar Moshkel (1971)
- Mard-e Hezar Labkhand (1971)
- Baba Shamal (1971) - Baba Shamal
- Mi’adGah-e Khashm (1971) - Ghadam
- Mardan-e Khashen (1971) - Nasir
- Homa-ye Sa’adat (1971) - Aram
- Raze Derakhte Senjed (1971)
- Jahanam + Man (1972)
- Subah-O-Shaam (Persian: همای سعادت) is a 1972 Indo-Iranian film
- Jabbar, Sarjookhe Farari (1973)
- Ghesse-ye Shab (1973) - Mohsen
- Shekast Napazir (1974) - Akbar
- Salam bar Eshgh (1974)
- Najoor-ha (1974)
- Javanmard (1974)
- Movazebe Kolat Bash (1975) - Farhad
- Ta’asob (1975)
- Gharar-e Bozorg (1975) - Amir
- Ghazal (1976) - Hojjat
- Bar Faraz-e Aseman-ha (1978) - Ramin / Shahin
- Barzakhi-ha (1982) - Seyyed Yaqub (final film role)